Archive for the ‘darkroom’ Category

salted paper prints

August 1, 2010

well after about a full day of curve design and some tweaks this morning, i finally got a curve that produces a fairly linear curve for salted paper prints.  the salted paper process was invented by William Henry Fox Talbot, known as The Father of Modern Photography, in 1833 while he was on his honey moon.  the kit that i am using from bostick and sullivan uses a solution of Ammonium Chloride and Sodium Citrate as the salt sensitizing agent.  a Silver Nitrate solution gives you the metal base to create the image.  the paper is coated with each solution and then exposed to UV light to create the image.  after the exposure is complete, there is no development per se.  the image is already formed on the paper.  you’re only left to wash away the unused silver and then the print is fixed in regular photo fixer (Sodium Thiosulfate).  the result is a print with blacks that are kind of dark chocolate, but toning the print in a gold chloride solution gives the prints a more neutral, almost eggplant tone that’s really pleasant.

this scan is of one of my first artist proof prints and the tones are about right.  its cropped not exactly how i want it, but rather to match the size of the coatings i’d done.  as i write this, i’m waiting for a few more 8×10 inch sheets to dry and i’ll make a one or two more prints tonight.  with a 20-minute exposure time, it take a while to make each print, but they’re quite worthwhile!

enjoy,
scott

Kiera - Beltzville, Frame 6.  5x7 inch Salt Print, toned with Gold Chloride

Kiera - Beltzville, Frame 6. 5x7 inch Salt Print, toned with Gold Chloride

film: Ilford Delta 400 at ISO 800
model: Keira Grant

Palladium Prints

July 11, 2010

a little while ago i ventured back into the darkroom armed with some new ideas for tweaking my palladium printing techniques.  i wasn’t happy with the prints that i’d made before.  there were issues with clearing the prints and the density of the blacks wasn’t exactly where i wanted it to be.  i’d read on an APUG thread that, while the developer lasts almost indefinitely, it does need to be replenished and that a little bit of fresh potassium oxalate should be added before each printing session.  there were also recommendations for clearing baths – using disodium EDTA and adding some sodium sulfite to the tetrasodium EDTA.  so i ordered some new chemistry from Art Craft Chemicals and had another go at it.  right from the first couple of test prints it was obvious that the process was working much better than anything i’d done previously.

the following images are scans of the palladium prints made that weekend.  the enlarged negatives were made from scans of the original film frames, printed on Pictorico OHP transparency film with a custom Quadtone RIP profile.  the prints are about 9×11 inches, printed on 11×15 sheets of Arches Platine paper.  they are available for purchase.

Stephanie Anne - Clay Frame #2

Stephanie Anne - Clay Frame #2

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Stephanie Anne - Clay, Frame #3

Stephanie Anne - Clay, Frame #3

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Stephanie Anee - Clay, Frame #5

Stephanie Anee - Clay, Frame #5

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recent developments

May 10, 2010

wow, been a bit too long since my last post.  i finally took some time for myself to catch up on some things that i’ve been meaning to do.  the Wet Transfer workshop was a wonderful success and i’d really like to share this process with more people.  for now we’re working on details of how to make the process go  smoother.

i also spent a fair amount of time in the darkroom and my backlog of film to be processed is now 8 rolls shorter.  what i’m seeing coming out of the film tanks is really inspiring.  it takes a long time to scan all of this stuff and get the dust retouched.  this one of Sarah Ellis really caught my eye.  shot on Ilford Delta Pro 100, processed in ID-11 (if you care to know the details)!

enjoy!
scott

sarah - fishnet stockings

sarah - fishnet stockings

my roots are showing

January 4, 2010

so, as many of you might know, i’ve been shooting a lot of film lately. and while scanning the negatives, sharing the results on-line, and making some high-quality inkjet prints is great way to get feedback on my work, that wasn’t the ultimate goal. ideally, the negatives should be printed in a traditional darkroom using silver gelatin papers. the thing is though, i have a very nice enlarger, ample room in my basement. the only thing that really holds me back is my incredible knack for clutter in my daily life.

Clutter in the laundry area of the basement

Clutter in the laundry area of the basement

this area of the basement is somewhat small, but larger than most people’s closet darkrooms. with its access to a sink next to the clothes washer, it means that i don’t have to pay a plumber to come in and charge me a gazillion dollars to install a new sink. the only problem, of course, is all this crap laying around. in this clutter there are scraps of wood tacking strips from when i pulled the carpet up 2 years ago to reveal the lovely hardwood floors on which i’ve been know to shoot a nude once or twice. there were random tools and tool boxes, laundry detergent, product boxes, plywood pieces from a disassembled entertainment center (holy cow, i hated that thing!).

when i woke up this morning i decided it all had to go.  it didn’t take long to really get things going.  it wasn’t the greenest thing i’ve ever done, but let’s say its going to be an epic trash night this week!  i threw out bubble wrap, packaging cushions, there’s tons of corrugated cardboard being recycled, lots of product boxes (really, why was i saving the box for a shredder that i bought 5 years ago?!?).  i cut up the larger boxes and saved the sheets of cardboard for packaging when i ship prints to clients and collectors.

more clutter, packaging scraps, and shipping boxes

more clutter, packaging scraps, and shipping boxes

around lunch time i went up stairs and made a little fire in the fireplace.  there were months worth of brown paper packaging that comes with many shipped items.  i used it all as kindling to start a nice wood fire.  again, not the greenest thing i’ve ever done, but it was nothing if not efficient and pretty!

after the lunch break, i started on the other room in the basement that leads to the closet where the old enlarger has been hiding for the past 9 years.  i wasn’t even sure if i had all the parts.  and there are some things that i know are missing and i’ll have to try to purchase replacements for them either on-line or through contacts with friends.

the omega enlarger is in there somewhere...

the enlarger is in there somewhere...

once the space was cleared and things were cleaned up a bit more, i had to clear off a utility table in the garage.  i bought several of these tables for pennies courtesy of the fire sale that happened when Lucent Technologies was crashing in and around 2001.  they sold off so many lab tables with nice industrial tops which would probably be perfect for the chemical hazards of a darkroom setup.

its now probably about 3:00 and i’ve got to break soon for dinner with the family.  the top of the utility table is filthy and needed to be scrubbed down, tape and labels removed with goo-be-gone, and the legs needed leveling since the floor in the basement is pitched generally toward the drains.  with all that done, i carried the Omega B8 enlarger over to the table.  parts of it had been disassembled for shipping when i moved into the house, so i tried as best i could to find all the parts in order to reassemble it.  i was able to locate the condenser lamp housing, filter drawer, and the negative carriers for 35mm, 6×6, and what i think is 6×9.  what i couldn’t find was the armatures for mounting the condenser lamp housing onto the enlarger.  this required a considerable amount of searching throughout the house.

its amazing to me how many boxes are still sealed from my move-in 9 years ago, but there, in a closet in my spare bedroom, at the bottom of a box of 800k floppy disks was a ziplock bag with the connecting arms for the enlarger.  bingo!  i’ve still got the original 75mm vivitar lens that came with the enlarger when i bought it from a friends father, probably back in 1991.  so, it seems to me there are only a few pieces missing at this point:  a good light source, preferably one of the Aristo HI23 cold light heads, a decent sized easel, an archival washer, and a good enlarging timer.  i’ve got lots of trays and chemical storage bottles and a pretty good know how of making nice prints.  but to me, at least now the hard part is done!

self portrait with Omega B8 Enlarger!!

self portrait with Omega B8 Enlarger!!